As a wealthy Swedish family, he celebrates his patriarch Alexander’s birthday (Erland Josephson, Cries and Whispers), news about the outbreak of World War III reaches the distant Baltic Island – and a lucky mood turns into horror. The family enters a state of psychological devastation, wonderfully caused by the arrest palette of Tarkovsky with luminous gray, washing the gloomy landscape around their house. (Master film photos by Sven Nykvist, a longtime collaborator of Ingmar Bergman). For Alexander, a philosopher disturbing lack of human spirituality, the perspective of a certain extinction forces the final sacrifice and enters the Faustian occasion with God to save his loved ones from the fear that tries them. The last film of the director who was dying of cancer, the victim is a personal statement of Tarkovsky, a deeply moving, redemptive tragedy steeped in unforgettable paintings and painful emotions.
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